Drawing people

I was once told that truly seeing and understanding the human figure—its form, proportion, and structure—is fundamental to how we interpret the world around us.

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Much like Leonardo da Vinci viewed the body as a reflection of the universe, these principles continue to shape the way I approach drawing—whether it’s people, still life, or the built environment.

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I’ve been drawn to portraiture since I was 11, when I sketched my grandmother “just for fun.” My eye for detail wasn’t entirely appreciated—I captured every wrinkle.

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Drawing people requires a fine balance of observation, sensitivity, and flow. Without it, a portrait can become a record of features rather than a reflection of the person—their presence, their emotion, their essence.